![]() ![]() ![]() The high input of labour is caused by manual harvest, which amounts to approximately 50 % of all labour as well as by plant tending. The required work hours for the production of tomatoes in foiltunnels averaged 483 hours/1000 m 2 for the analysed farms. If the fix costs of foil house and sprinklers are added to the variable costs, the outcome is profit contribution II at the rate of S 37.-/m 2. The variable costs amounted to S 14.-/m 2, the profit contribution I was S 54.-/m 2. ![]() The production of tomatoes in foiltunnels amounted to an average of S 68.- revenue/m 2. Agricultural yield and costs differed from farm to farm. The answer to the question of productiveness depends upon the profits. The data for judging the profitability was taken from work diaries. The objective of this analysis was to find out the productiveness of tomato production in foiltunnels and the sales conditions in "Burgenland". At the same time a "sheltered" cultivation promotes a high quality production. On the one hand the production of tomatoes in foil tunnels presents the opportunity of an earlier harvest, on the other hand it offers an extension of the harvest into the fall season. In the last few years good experiences with foil production have brought an increased use of "foil houses" in the tomato production in the county "Burgenland"/Austria. Chances are, by the time you’re partway through the book yourself, you’ll be doing the same thing.Die Bodenkultur - Journal for Land Management, Food and EnvironmentĮconomical Analysis of Tomato Production in Foil Tunnels Summary In most cases, she does gush and romanticizes, but rather than grating, this manages to come across as an infectious enthusiasm that makes me want to consult airline tickets to NY as soon as possible. Each section and chapter introduction contains a love letter to that specific slice of the borough. Indeed, it’s the author’s sincerity alone that elevates the book from a good guide to a great survey of Brooklyn. It’s a curated list by a professional enthusiast, one who acknowledges her subjective curation but presents these selections in a way that’s self-aware and sincere. Whether you want folk, rock, punk, metal, sludge, doom, thrash, rap, r&b, world, indie, pop, or literally any other genre and any of its many subgenres, Bands do BK has something for everyone. ![]() The full jacket for the book “Bands do BK: A Guide to Brooklyn, by Bands, for Everyone” by Sam SumpterĪnd finally, another benefit to the format is the selection of musicians, artists, and bands that Sumpter consulted and interviewed over the course of many years of compiling the book and its various excerpts is the musical landscape of Brooklyn itself. What’s more, because of the format Sumpter’s chosen, there’s a collection of anecdotes about all the spots, which helps the reader sort through and find what they’re looking for. If you are trying to permeate the DIY scene within Brooklyn, this is the first thing I would recommend. If you need a vibing cafe that serves Haitian soul food, of course, there’s a recommendation. If you require a watering hole that will provide good eats and cheap drinks, there’s an intimidating array presented within the book. Second, it gives an endlessly helpful spread of locations for various needs. This reveals several things at once: first, it gives a window of insight into the bands and personalities within themselves, who are either charming, funny, insightful, or (more often than not) a combination of those. The way she does that is to consult an impressive cross-section of Brooklyn’s music scene, asking them what their favourite spots are in the borough. Other times it’s about boosting the signal, and here is where the book Bands do BK: A Guide to Brooklyn, by Bands, for Everyone ( Lit Riot Press) comes in: rather than review, critique, or just signpost the music scene in Brooklyn, author/journalist Sam Sumpter chooses a way that manages to celebrate as many parts of her tribe as possible. Most of the time, that comes in the form of like-minded contributions, either through the music, art, or other modes that the scene engages. These spaces in which we cocoon, oftentimes, we feel compelled to give back to them in some fashion. There are various ways we can show our appreciation for the scenes in which we dwell. ![]()
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